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But another Blavatnik label, the 2-year-old Access Entertainment, could prove more impactful in addition to buying into RatPac Entertainment (which recently ended its deal with Warners) and Bad Wolf, Access plans to spend hundreds of millions on film, TV and theater projects, overseen by recent hire Danny Cohen. He's had hits with I, Tonya, Hacksaw Ridge and Lee Daniels' The Butler as well as flops like Martin Scorsese's Silence, all financed through his AI Film. Benett/Dave Benett/Getty Imagesīlavatnik has deep pockets, so deep that he's now one of the wealthiest men in the U.K. 'The biggest challenge we find is limited availability of high-quality, theatrical content to invest in,' says Basner. With credits including Arrival, The Big Sick and Room, Basner has proved his eye for material, which includes upcoming films such as the Tom Hanks World War II drama Greyhound and Armando Iannucci's The Personal Story of David Copperfield. exec Basner struck out on his own, his company has gone from sales agent to well-heeled producer-financier, helped by a recent $120 million investment arranged by Bank of America Merrill Lynch. In the decade since former Focus and Weinstein Co.

Benett/Getty Images for John Walker & Sons Voyager What follows is a guide to the top 25 players in the indie finance scene of 2018, people who have the money to back movies they believe in. But they still see a gap in the indie market, and they're determined to fill it. If, not too long ago, they were entirely oriented toward signing a domestic distribution pact, they're now increasingly aware that burgeoning markets - especially China - are fast catching up with the U.S. Flush with capital from Silicon Valley, China or Abu Dhabi, they're less focused on packaging and more on fully financing projects in-house, less on the individual sale and more on long-term relationships with international distributors.

The kings of Cannes have very different strategies today. The models he created 'are still around,' says Gabrielle Stewart, managing director of British sales outfit HanWay. chief (and before that, co-founder of Miramax Films) pioneered a business model for buying and selling films that prevailed for decades, largely consisting of offloading foreign rights in presales that would help guarantee bank loans for movies, many driven by a host of stars who had more sway abroad than in North America.īut shifts in the market - the rise of studio-sized franchises the digital disruption by Netflix and Amazon the dominance of superhero tentpoles to the exclusion of character-driven dramas and the collapse of the home entertainment business - all meant that Weinstein's crown had begun to teeter even before he was ejected from the kingdom he once ruled.

Even before scandal brought down Harvey Weinstein, the days when he ruled the Croisette - and by extension the independent film business - were long gone.